ENTERTAINMENT

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If, as is suggested early in Ron Howard’s documentary “Avedon,” the genius of an archetypal Richard Avedon photograph lies in how it strips away everything extraneous—so that nothing remains but the audience, the subject, and a white background—then making...

Critic's Rating: 4.5 / 5.04.5Brooke Shields makes her triumphant comedic return to TV as renowned mystery writer Allison “Allie” Chandler on Acorn TV’s You’re Killing Me, and it hits every note.I’d...

<!--qv q:id=75 q:key=vcaa:Summer is officially on the horizon, and for nearly three-quarters of Americans, that means one thing: it’s time to pack a suitcase. But between sky-high airfares, unpredictable weather, and overpriced hotel stays, choosing where to spend your...

Welcome to Today in Books, our daily round-up of literary headlines at the intersection of politics, culture, media, and more.James Patterson Pledges $10 million to Early Adolescent Literacy InstituteThe mega-bestselling James Patterson has promised $10 million to his alma...

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This year’s Ebert Fellows attended the True/False Film Festival, one of the most essential non-fiction cinema events of the year. Here are their reports:PAIGE TERNADO“To really make a film like this, you have to ignore every commercial model that...

Boots Riley is one of the few American filmmakers who are most visibly invested in conversations about class, capitalism, and aesthetics in their works. He pushes each subject to the point of breaking in absurdist works whose visual ambition...

Critic's Rating: 4.7 / 5.04.7There is something in the water when Tracker brings Russell Shaw back to town.The sun shines a little brighter. The jokes are a little funnier.Russell always brings...

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